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https://archimage.lib.ttu.edu/files/original/9a70a7b3f6712272b24e8ade7a76b010.jpg
5f3ffefd99dd5e2bd8427f98f5e2c10f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Michael Peters
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
VRA Core
VRA Core standard for artistic pieces and cultural heritage artifacts.
The first input will be treated as a <display> element. More detailed
VRA Core metadata is available below that input.
ID
The ID to apply to a VRA Work, Image, or Collection (corresponds to vra id attribute).
Peters04382
Title
The title or identifying phrase given to a Work or an Image.
Pantheon
Santa Maria ad Martyres
Agent
The names, appellations, or other identifiers assigned to an individual, group, or corporate body that has contributed to the design, creation, production, manufacture, or alteration of the work or image.
unknown Ancient Roman, for Hadrian, Emperor of Rome (Roman emperor, 76-138 CE)
Location
The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image.
Rome, Roma, Italy
Piazza della Rotonda, 00186 Roma RM, Italy
41°53'55.0"N 12°28'36.6"E
Description
A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories.
exterior view
detail view of entrance portico
The Pantheon was dedicated to the seven planetary gods in 128 CE. It was consecrated as a church in the early seventh century. It is the major surviving example of Roman concrete vaulted architecture. It is composed of a domed rotunda attached to a columned entrance portico. Now free-standing, it was originally the focal point of a long, porticoed forecourt.
Commissioned by Marcus Agrippa (that building destroyed, but referenced in the inscription), and completely rebuilt by Emperor Hadrian ca. 118-125 CE. The building is circular with a portico of large granite Corinthian columns (eight in the first rank and two groups of four behind) under a pediment. A rectangular vestibule links the porch to the rotunda, which is under a coffered, concrete dome, with a central opening (oculus of 8.15 m diameter) to the sky. Almost two thousand years after it was built, the Pantheon's dome is still the world's largest unreinforced concrete dome. The height to the oculus and the diameter of the interior circle are the same, 43.3 meters (142 ft). It is one of the best preserved of all Roman buildings. It has been in continuous use throughout its history, and since 609, the Pantheon has been used as a Roman Catholic church dedicated to St. Mary and the Martyrs (Santa Maria ad Martyres) but informally known as "Santa Maria Rotonda."
Date
Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd.
begun in 27 BCE, completely rebuilt 118/119-125/128
1st Century BCE
2nd Century
Subject
Terms or phrases that describe, identify, or interpret the Work or Image and what it depicts or expresses. These may include generic terms that describe the work and the elements that it comprises, terms that identify particular people, geographic places, narrative and iconographic themes, or terms that refer to broader concepts or interpretations.
architecture and city planning
columns
pediment
scripture
Worktype
Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record.
temple
Style Period
A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image.
Ancient Roman
Cultural Context
The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated.
Italian
Material
The substance of which a work or an image is composed.
stone
brick
concrete
aggregate
Inscription
All marks or written words added to the object at the time of production or in its subsequent history, including signatures, dates, dedications, texts, and colophons, as well as marks, such as the stamps of silversmiths, publishers, or printers.
M•AGRIPPA•L•F•COS•TERTIVM•FECIT (Marcus Agrippa, son of Lucius, made this building when consul for the third time)
Source
A reference to the source of the information recorded about the work or the image.
Michael Peters
Rights
Information about the copyright status and the rights holder for a work, collection, or image
© Michael Peters
© Texas Tech University Libraries
Users must request permission from the copyright holder for all use in publications, including theses and dissertations.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Pantheon
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Rome, Roma, Italy
Date
A point or period of time associated with an event in the lifecycle of the resource
begun in 27 BCE, completely rebuilt 118/119-125/128
1st Century BCE
2nd Century
Type
The nature or genre of the resource
temples