-
https://archimage.lib.ttu.edu/files/original/b91559081c84a33f3e1dacdc93edb8bb.jpg
86288de66fa623bb1524384ee2f58b8b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Javier Gomez Collection
Creator
An entity primarily responsible for making the resource
Gomez
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
VRA Core
VRA Core standard for artistic pieces and cultural heritage artifacts.
The first input will be treated as a <display> element. More detailed
VRA Core metadata is available below that input.
ID
The ID to apply to a VRA Work, Image, or Collection (corresponds to vra id attribute).
GOMEZAT1199
Title
The title or identifying phrase given to a Work or an Image.
Barcelona Pavilion
German Pavilion
Agent
The names, appellations, or other identifiers assigned to an individual, group, or corporate body that has contributed to the design, creation, production, manufacture, or alteration of the work or image.
Ludwig Mies van der Rohe (German architect, 1886-1969)
Description
A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories.
View of marble wall with entrance in background
It was not until 1929 that the ideas of the earlier experimental period were finally realized in one of the most important buildings of the Modern Movement, the German (or Barcelona) Pavilion (destroyed
reconstructed 1986), Montjuïc, Barcelona. It was a last-minute addition to the German section of the Exposición Internacional in Barcelona in 1929 for which Mies van der Rohe and Lilly Reich (with whom he collaborated on exhibition projects) had been given overall design responsibility by the government in 1928. Here Mies van der Rohe used the open (decellurized) plan as an architectural analogy of the social and political openness to which the new German republic aspired. Space-defining elements were dissociated from the structural columns, planning was free and open, merging interior and exterior spaces: unbroken podium and roof planes were held apart by a regular grid of slender cruciform steel columns, giving a clear field for spatial design, using opaque, translucent and transparent walls freely disposed between the columns. These ideas were crucial to all his subsequent work. The rich materials of the space-defining walls, the reflecting pools-in one of which stands a sculpture by Georg Kolbe-and the furniture that he designed specifically for the pavilion (the well-known Barcelona chair, stools and table), all added to the architectonic qualities in a building of great poetic beauty.
Date
Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd.
1929 (creation)
1986 (creation)
20th century
Location
The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image.
Barcelona, Barcelona, Spain
Subject
Terms or phrases that describe, identify, or interpret the Work or Image and what it depicts or expresses. These may include generic terms that describe the work and the elements that it comprises, terms that identify particular people, geographic places, narrative and iconographic themes, or terms that refer to broader concepts or interpretations.
Architecture and City Planning
Worktype
Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record.
buildings
exhibition buildings
Style Period
A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image.
Bauhaus
Modernist
Cultural Context
The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated.
German
Material
The substance of which a work or an image is composed.
steel
glass
marble
travertine
onyx
Technique
The production or manufacturing processes, techniques, and methods incorporated in the fabrication or alteration of the work or image.
construction (assembling)
Source
A reference to the source of the information recorded about the work or the image.
Javier Gomez
Rights
Information about the copyright status and the rights holder for a work, collection, or image
© Javier Gomez
State Edition
The identifying number and/or name assigned to the state or edition of a work that exists in more than one form and the placement of that work in the context of prior or later issuances of multiples of the same work.
35 mm slides
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Barcelona Pavilion
Creator
An entity primarily responsible for making the resource
Mies van der Rohe, Ludwig
Date
A point or period of time associated with an event in the lifecycle of the resource
1929
2015
20th century
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Barcelona, Barcelona, Spain
Type
The nature or genre of the resource
buildings
exhibition buildings